The Careto is a mythical figure of Portuguese Carnival. The Careto of Lazarim is distinguished by its wooden mask carved by the hands of artisans and its attire, which, while not uniform, is fundamentally characterized by the use of common materials found in everyday life, whether they be plants, rags, straw, among others.Its identity is meant to be mysterious, as the careto wants to be free from the constraints of identity, experiencing a unique sense of freedom. Protected by anonymity, they temporarily free themselves from judgments, social expectations, and conventions that normally regulate their everyday behavior. It is precisely in this anonymity that the essence of the celebration is found, but often this concealment is difficult to maintain for various reasons, as the careto may be a family member, friend, or acquaintance who is easily recognized by certain traits.
In the early days of this tradition, the Careto was someone local, as the festival was a cultural expression of the community itself. However, with the passage of time and the appreciation of these traditions as cultural heritage, participation has been opened to outsiders who wish to experience what it feels like to be a careto, becoming one of the strengths of our carnival. More important than a person's origin is respect for the tradition, such as the way the masks are used and the attitude adopted during the time wearing the costume. The careto should be playful, cheerful, and respectful of the community, not overstepping boundaries in their "pranks."
Lazarim, Portugal
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Dietmar Bachmann
Sony FE 300mm F2.8 GM OSS
Zurich, Switzerland
no, freehand shot
Lightroom, Topaz
I had a goal during this photo walk - to find unique sceneries of Winter aconites and other Spring flowers I have already photographed in the previous photo walk. I decided to go for compositions with more than one flower in the scene. These three small yellow blooms stood out so well against all the rest and became my photo model 
